Understand
Reason over user intent, transcript, and footage context to identify the moments that matter.
PRAHA CUT / IN DEVELOPMENT
Video editing,
directed in words.
Praha Cut is an agentic video editor that turns your editing intent into an editable timeline. Give it footage, describe the result, review a draft, and keep directing the edit.
Join early accessPRODUCT INTERFACE CONCEPTFOOTAGE / AGENT / TIMELINE
praha cut/Launch film
Draft 01 · Editing conceptExport ↗Preview16:9 1080p
FRAME 04:18:06
THE RESULTBuild faster.
Keep control.
Keep control.
➜ benchmark.run()inference latency ↓
This is where the results change the story.
◀◀▶▶▶01:00
Timeline↶ ↷ ✂ ◇00:00 00:15 00:30 00:45
V1 VIDEOA1 AUDIOC1 CAPTIONS
00:0000:1500:3000:45
BENCHMARK RESULTFOUNDERPRODUCT DEMOEND FRAME
Build faster.Keep control.See what matters.
Interface concept · Illustrative workflow, not a captured product session or generated output.
01 / FROM FOOTAGE TO DRAFT
The edit starts
with intent.
Describe the story, pacing, focus, and output format. Praha Cut is being designed to inspect footage and transcripts, make an editing plan, apply editing operations, and render a draft you can revise.
EXAMPLE DIRECTION
“Turn this 12-minute recording into a 60-second launch video. Remove dead space, keep the benchmark section, zoom into the terminal when the results appear, add captions, and create a vertical version for Shorts.”
This illustrates the intended workflow. It is not a claim that every operation is publicly available today.
02 / AGENT WORKFLOW
Plan
Construct a sequence of edits and choose the media tools needed to execute it.
Operate
Apply cuts, ordering, captions, reframing, and audio changes to an editable timeline.
Revise
Keep the timeline state and respond to further direction without resetting the edit.
03 / CREATIVE CONTROL
The timeline
isn't going away.
Natural language handles high-level intent. The timeline preserves precision and control. Praha Cut is designed to let you say “don't cut between these two sentences” or “restore the explanation before the demo” and then inspect the changed edit.
INTENT→EDITABLE TIMELINE→YOUR FINAL CUT
Describe the edit at the level humans think about it. Take control at the level editors need.04 / ARCHITECTURE
Reasoning meets
an editing system.
Praha Cut is being built with Claude as the reasoning and tool-use layer. Praha Lab builds the media processing, timeline representation, editing operations, state, execution, and rendering around it.
INPUTSFootage
Transcript
User direction
Transcript
User direction
REASONINGClaude
Interpret intent, plan changes, select tools, support revision.
EXECUTIONPraha Cut
Media tools, non-destructive timeline state, draft rendering.
05 / TOOL SYSTEM
An agent that
does the work.
These are representative operations in the intended editing system, not a published API specification.
01inspect footage()02transcribe()03find moment()04trim()05split()06reorder()07crop()08reframe()09caption()10overlay()11adjust audio()12render()13review()
06 / USE CASES
From raw to
ready to review.
01
Creators
Shape long recordings into focused short-form stories.
02
Founders & marketers
Cut product demos and launch videos around the strongest moment.
03
Podcasters
Find clips while retaining the argument that gives them meaning.
04
Developer advocates
Keep the key terminal, code, benchmark, and explanation in frame.
PRAHA CUT / EARLY ACCESS
Make the edit
you meant.
In development at Praha Lab. Tell us what you make and how you edit.
Request early access